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DTSTAMP:20260505T093540
CREATED:20240507T141802Z
LAST-MODIFIED:20240507T144050Z
UID:10012108-1718121600-1718128800@www.masongross.rutgers.edu
SUMMARY:VIRTUAL LECTURE: Park McArthur
DESCRIPTION:Presented in collaboration with the Zimmerli Art Museum\, this special lecture marks the culmination of Park McArthur’s term as Tepper Family Endowed Chair at Rutgers University. \n\n\nMcArthur’s work varies in material and process\, often questioning frameworks of dependency through the artistic form of the readymade. She was recently named a Guggenheim fellow for her work in the field of Fine Arts. Past solo exhibitions include those at the Museum of Modern Art\, New York; San Francisco Museum of Modern Art; and Chisenhale Gallery\, London. Past group exhibitions include those at Secession\, Vienna; Carnegie Museum of Art\, Pittsburgh; Jewish Museum\, New York; Whitney Museum of American Art\, New York; Walker Art Center\, Minneapolis\, among others. McArthur’s awards and grants include the Louise Tiffany Comfort Foundation Award\, Wynn Newhouse and Artadia Awards\, as well as an Art Matters Grant. Born in North Carolina\, McArthur currently lives in New York. \n  \n RSVP\n\n\n  \nFree & Open to the Public \nASL interpretation and captioning will be provided. \nIf you anticipate needing any type of accommodation or have questions about the access provided\, please call Brandon Truett at 848-932-6766 or email btruett@zimmerli.rutgers.edu at least two weeks in advance of your participation. \n\n\nImage courtesy of the artist
URL:https://www.masongross.rutgers.edu/calendar-event/virtual-lecture-park-mcarthur/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/png:https://www.masongross.rutgers.edu/wp-content/uploads/2024/05/file.png
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DTSTART;TZID=America/New_York:20240509T143000
DTEND;TZID=America/New_York:20240509T163000
DTSTAMP:20260505T093540
CREATED:20240123T213114Z
LAST-MODIFIED:20240507T192423Z
UID:10011299-1715265000-1715272200@www.masongross.rutgers.edu
SUMMARY:Mason Gross Convocation 2024
DESCRIPTION:Join us for a live\, in-person event to celebrate our Class of 2024! \nWhen: Thursday\, May 9\, 2024 | 2:30 p.m. EST \nWhere: The State Theatre – 15 Livingston Avenue New Brunswick\, NJ 08901 \nThis event will be livestreamed. A link to the livestream will be shared here before the event. \nRutgers University-New Brunswick and Rutgers Health Commencement​ will be held on Sunday\, May 12\, 2024. For more information on this event\, please visit the Commencement Website. \n  \n View the livestream\n  \n View the program\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Mason Gross Ceremony Information\n				The Mason Gross Convocation ceremony is an intimate event that celebrates students completing a BFA\, BM\, MM\, MFA\, AD\, or DMA degree. We also warmly welcome BA\, EdM\, MA and PhD students earning a degree in Art\, Dance\, Music or Theater. \nStudents will receive individual recognition and will have the opportunity to have their name called\, walk across the stage\, shake hands with the Dean and their Department Chair\, and have their photo taken. \nImmediately following the ceremony will be a post-reception in the Civic Square Building. \nThe Mason Gross Convocation is a non-ticketed event. This means seating is on a first-come\, first-served basis. The family seating area will be determined by the event staff. \nPlease see more information under FAQ’s below.\n			\n				\n				\n				\n				\n				Convocation Speaker\n				Courtney Bryan (MM\, ’07)\nCourtney Bryan\, a native of New Orleans\, Louisiana\, is “a pianist and composer of panoramic interests” (New York Times). She is a 2023 MacArthur Fellow\, and currently serves as composer-in-residence with Opera Philadelphia. \nThis season sees two world premieres: Dreaming (Freedom Sounds)\, performed by the International Contemporary Ensemble at New York’s Kaufman Music Center\, and Visual Rhythms\, a new art-inspired orchestral piece for Jacksonville Symphony. \nOther recent works include her piano concerto House of Pianos\, which Bryan premiered last season with the LA Phil New Music Group (chamber ensemble version) and the Cincinnati Symphony Orchestra (full orchestra version); and Gathering Song (libretto by Tazewell Thompson)\, composed for bass-baritone Ryan Speedo Green and the New York Philharmonic. \nBryan’s compositions have been performed by the Louisiana Philharmonic Orchestra (Creative Partner\, 2020–2023)\, Jacksonville Symphony (Mary Carr Patton Composer-In- Residence\, 2018–2020)\, London Sinfonietta\, LA Phil\, Orchestra of St. Luke’s\, and Chicago Sinfonietta in a wide range of renowned venues\, including Carnegie Hall\, Lincoln Center\, The Metropolitan Museum of Art\, Walt Disney Concert Hall\, and Blue Note Jazz Club. \nRecent accolades include the Herb Alpert Award in the Arts (2018)\, Samuel Barber Rome Prize in Music Composition (2019–2020)\, United States Artists Fellowship (2020)\, and the Civitella Ranieri Foundation Fellowship (2020–2021). She is the Albert and Linda Mintz Professor of Music at Newcomb College in the School of Liberal Arts at Tulane University. \nBryan returned to Rutgers in November 2022 for a performance and Q&A with students. Read about her visit in Mason Gross Magazine. \n			\n				\n				\n				\n				\n				Student Speaker\n				Meghan Correll\nMeghan Correll hails from Marlton\, New Jersey and is graduating from a five-year BM program with a double major in Music Education and Clarinet Performance. Meghan enjoys performing and is proficient on an assortment of string\, woodwind\, and brass instruments. They are the senior class representative for the Rutgers National Association for Music Education. They have been a member of the Rutgers Marching Scarlet Knights for five years and have served as the Clarinet Drill Advisor and Mellophone Section Leader. Meghan is a passionate educator who has worked with a variety of marching bands across New Jersey. They marched mellophone with the World-Class Madison Scouts Drum and Bugle Corps last year\, and this summer\, she will be traveling to Florida to be the Head Mellophone Instructor with an Open Class Drum Corps. \n			\n				\n				\n				\n				\n				Diploma Application\n				 Apply for Graduation\n  \nYou must complete a diploma application in order to officially graduate. \nAny undergraduate who has six or fewer outstanding credits may be allowed to participate in the Mason Gross Convocation ceremony provided they have enrolled in the appropriate courses in an accredited summer program and have had the summer credits preapproved by their academic advisor. These students will officially graduate in August 2024. If you need to update your class year\, please contact your academic advisor. Click the button above to apply.\n			\n				\n				\n				\n				\n				Academic Regalia\n				Academic regalia is required to participate in commencement and convocation ceremonies. \nRutgers–New Brunswick graduates can purchase regalia from the Barnes and Noble Rutgers University Bookstore ONLINE HERE now through March 31st. EARLY BIRD DISCOUNT now through February 29th! \nOnline orders offer these delivery options: \n\nShip to store for no extra charge. Must order for ship to store by February 29 for pick up at Barnes & Noble starting April 4.\nShip to home for an additional delivery charge. Deadline to order with ship to home option is March 31.\n\nPurchase regalia in-store OR pick up online orders at Barnes & Noble on Somerset Street beginning April 4. \nThe Grad Fair will be held at Barnes & Noble on April 4 & 5 from 10am-6pm. Join in the festivities\, come for a complimentary professional headshot\, and meet with representatives for purchasing class rings\, diploma frames\, personalized announcements and more!\n			\n				\n				\n				\n				\n				Portraits at Graduation – Action Required\n				Rutgers has partnered with Pro Pics to take professional portraits of all graduates during the ceremony. Photos will be available for purchase after the ceremony. There is no cost to have your photo taken and no obligation to purchase. If you would like to receive your photo proofs\, please go to www.RutgersPhotos.com to submit your information. If you have any questions regarding photos\, please contact Pro Pics at info@propicsusa.com. \n			\n				\n				\n				\n				\n				Senior Portraits\n				Lors Photography is offering Senior Portrait Sessions at three remote off-campus locations in New Jersey (New Brunswick\, Mount Laurel\, and Toms River). \nSeniors were sent an email in the fall from Lors with details and links to book your portrait session. If you did not receive an email\, please email customerservices@lorsstudio.com or call 908-964-3040.\n			\n				\n				\n				\n				\n				Student FAQs\n				\nWhat time and where do I report to the ceremony?\n\nIf you are planning to take part in the convocation ceremony\, you should report to the Civic Square Building between 1:30-2:00 pm for check-in. You will receive all instructions at that time\n\n\nIs there a rehearsal for the convocation?\n\nThere will not be a rehearsal for students. All necessary information will be relayed to you when you report to the Civic Square Building. Mason Gross staff will assist you step-by-step through the ceremony.\n\n\nWhat if I have a guest with a disability attending the ceremony?\n\nAccessible seating will be available in the rear of the orchestra section of the State Theatre and is distributed on a first-come\, first-served basis. In order to accommodate all requests and per ADA laws\, those requiring accessible seating will have one (1) companion seat in addition to their accessible seat. Graduating students should contact advisement@mgsa.rutgers.edu if your guests have any hearing\, visual or mobility impairments. Accessible seating can only be guaranteed for those who inform the Dean’s Office prior to the ceremony. All held seats will be forfeit 10 minutes prior to the scheduled ceremony start time. Guests can be dropped off at the main entrance if all accessible parking is full.\nWhen contacting advisement@mgsa.rutgers.edu with accessibility requests\, please be sure to let us know if your guest requires a wheelchair accessible space or if they have a visual or hearing impairment.\n\n\nWhat time should my guests arrive at the State Theatre?\n\nThe Theatre will open at 1:30pm. Seating is on a first-come\, first-served basis; there is no reserved seating. Be sure to allow ample time for arrival due to traffic patterns and weather\n\n\n\n			\n				\n				\n				\n				\n				Guest FAQs\n				\nWhat is the State Theatre’s COVID-19 policy?\n\nPlease visit their website HERE for current information.\n\n\nHow do I get to the State Theatre?\n\nDirections are available here.\n\n\nWhere do I park?\n\nParking is available for a fee in a few locations in the downtown New Brunswick area. Click here for locations.\n\n\nWhat time does the State Theatre open?\n\nThe Theatre will open at 1:30pm. Seating is on a first-come\, first-served basis; there is no reserved seating. Be sure to allow ample time for arrival due to traffic patterns and weather.\nPlease note: For your safety and security\, The State Theatre has instituted bag checks and upon entry. While the process is quite efficient\, please allow time to complete the bag check. Your patience and understanding during this process is appreciated.\n\n\nWhat can I bring with me?\n\nThis is a very busy event\, and space in the seating area is limited. The event staff cannot monitor or be responsible for personal items. Flowers and balloons are not permitted in the seating area.\n\n\nCan I save seats for family who are running late?\n\nIn order to accommodate all those in attendance\, please wait for your entire party prior to entering the seating area. All empty seats will be filled by event staff as necessary.\n\n\nWhat is the late seating policy?\n\nIf you arrive late to the ceremony\, you will be seated at the discretion of the event management in a predetermined late seating area. Late seating usually occurs after the student and faculty processionals\, roughly 10 to 15 minutes into the ceremony. After that\, seating will be determined by the event staff and seat availability.\n\n\nWhat if there are no more seats when I arrive?\n\nDue to fire codes\, there is a limit to the number of people allowed in the State Theatre. Once this number is met\, no more people will be admitted. It is suggested that you make sure you give yourself ample time to get to New Brunswick\, park\, and walk to the theater. The State Theatre has a video/audio feed into the lobby for the full event.\n\n\nCan we sit near or with our graduate?\n\nNo. The family seating area will be determined by event staff.\n\n\nCan we bring an infant or small child?\n\nAll infants and small children should be able to sit quietly\, or you will be asked to leave the ceremony. Please make arrangements for childcare if your infant or small child cannot sit quiety for the duration of the ceremony. Strollers and car seats are not permitted in the seating area.\n\n\nWhat if I have a guest with a disability attending the ceremony?\n\nAccessible seating will be available in the rear of the orchestra section of the State Theatre and is distributed on a first-come\, first-served basis. In order to accommodate all requests and per ADA laws\, those requiring accessible seating will have one (1) companion seat in addition to their accessible seat. Graduating students should contact advisement@mgsa.rutgers.edu if you are guests have any hearing\, visual or mobility impairments. Accessible seating can only be guaranteed for those who inform the Dean’s Office prior to the ceremony. All held seats will be forfeit 10 minutes prior to the scheduled ceremony start-time. Guests can be dropped off at the main entrance if all accessible parking is full.\nWhen contacting advisement@mgsa.rutgers.edu with accessibility requests\, please be sure to let us know if your guest requires a wheelchair accessible space or if they have a visual or hearing impairment.\n\n\nHow long will the ceremony last?\n\nThe ceremony lasts approximately two hours\, depending on the number of students graduating.\n\n\nCan I bring food\, beverages\, or bottled water into the ceremony?\n\nNo. Food or beverages are not allowed in the State Theatre.\n\n\nCan I take pictures?\n\nYes\, you can take pictures. However\, we ask that you be aware of students and other guests and not obstruct the aisles or block the view for someone else.\n\n\nCan I meet my graduate in the seating area after the ceremony?\n\nIt is respectfully requested that families and friends arrange to meet each other at the reception in the Civic Square Building following the ceremony. The seating area closes directly after the ceremony ends.\n\n\n\n \n			\n				\n				\n				\n				\n				COVID-19 Policy\n				We are following the State Theatre’s COVID-19 policy: \nBased on advice from the CDC\, the State of New Jersey\, as well as best practices adopted by the performing arts industry: \n\nMasks are no longer required though we welcome their use.\n\n			\n				\n				\n				\n				\n				MGSA Merch\n				Show your alumni pride! Official MGSA apparel and accessories will be available for sale at the post-ceremony reception. Shop online anytime at our store. \n			\n			\n				\n				\n				\n				\n				Please direct all questions to advisement@mgsa.rutgers.edu.
URL:https://www.masongross.rutgers.edu/calendar-event/mason-gross-convocation-2024/
LOCATION:State Theatre New Jersey\, 15 Livingston Avenue\, New Brunswick\, NJ\, 08901\, United States
CATEGORIES:Livestream,Student Affairs
ATTACH;FMTTYPE=image/png:https://www.masongross.rutgers.edu/wp-content/uploads/2024/01/2024-Convocation-Event-Cover.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240306T190000
DTEND;TZID=America/New_York:20240306T200000
DTSTAMP:20260505T093540
CREATED:20240126T163553Z
LAST-MODIFIED:20240305T172300Z
UID:10011303-1709751600-1709755200@www.masongross.rutgers.edu
SUMMARY:CANCELLED - Visiting Artist Lecture:  Basel Abbas and Ruanne Abou-Rahme
DESCRIPTION:Basel Abbas and Ruanne Abou-Rahme work together across a range of sound\, image\, text\, installation and performance practices. Their practice is engaged in the intersections between performativity\, political imaginaries\, the body and virtuality. Largely\, their approach has been one of sampling materials both existing and self-authored in the form of sound\, image\, text\, objects and recasting them into altogether new ‘scripts’. The result is a practice that investigates the political\, visceral\, material possibilities of sound\, image\, text and site\, taking on the form of multi-media installations and live sound/image performances. \nImage courtesy of the artists. \nThis lecture is presented as part of the Spring 2024 Visiting Artist Lectures\, free and open to all. \nThis event will be fully virtual. \n RSVP Here
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-basel-abbas-and-ruanne-abou-rahme/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/jpeg:https://www.masongross.rutgers.edu/wp-content/uploads/2024/01/0007_PinchukArt_Film05-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231108T190000
DTEND;TZID=America/New_York:20231108T210000
DTSTAMP:20260505T093540
CREATED:20230927T142119Z
LAST-MODIFIED:20231108T191903Z
UID:10002591-1699470000-1699477200@www.masongross.rutgers.edu
SUMMARY:RESCHEDULED 11/13 - Visiting Artist Lecture: JJJJJerome Ellis
DESCRIPTION:JJJJJerome Ellis is an artist and a proud stutterer. He makes music and writes books. He lives in Tidewater\, Virginia with his wife\, ecologist-poet Luísa Black Ellis. They love walking in the woods\, reading\, and drinking tea together. \nThis lecture is presented as part of the Fall 2023 Visiting Artist Lecture Series\, free and open to all. \nREGISTER HERE: https://rutgers.zoom.us/meeting/register/tJwuduqrrDgoHNTQ7YLj-E0D01KLTj4ToHtg \nImage Credit: Annie Forrest
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-jjjjjerome-ellis/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/jpeg:https://www.masongross.rutgers.edu/wp-content/uploads/2023/09/annie-forrest-headshot-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230426T190000
DTEND;TZID=America/New_York:20230426T190000
DTSTAMP:20260505T093540
CREATED:20230223T141129Z
LAST-MODIFIED:20230302T144215Z
UID:10002489-1682535600-1682535600@www.masongross.rutgers.edu
SUMMARY:Visiting Artist Lecture Series: Michelle Grabner
DESCRIPTION:The Wisconsin-born and -based artist Michelle Grabner is known for her broad perspective developed as teacher\, writer and critic over the past 30 years. The site where it all comes together is the studio. Her artmaking—which encompasses a variety of mediums including drawing\, painting\, video and sculpture—is driven by a distinctive value in the productivity of work and takes place outside of dominant systems. Grabner instead finds a creative center in operating across platforms and towards community. \nCentral to the work is process. Grabner uncovers new dynamic relationships through her visionary practice of repetition. With a deep attention to abstract patterns and all the metaphors they conjure\, Grabner pushes the limits of compositional structures to discover the tipping point between stability and precariousness; between continuance and wondrous difference. \nMichelle Grabner (b. 1962\, Oshkosh\, WI) received her MA in Art History and BFA in Painting and Drawing from the University of Wisconsin–Milwaukee\, and an MFA in Art Theory and Practice from Northwestern University. She is Senior Chair of the Department of Painting and Drawing at the School of the Art Institute of Chicago\, and was a Core Critic at Yale University in the Department of Painting and Printmaking from 2011 to 2014. In 2021\, Grabner was awarded the Fine Arts Guggenheim Fellowship. She returned to Yale in 2020 as a Visiting Artist. A regular contributor to Artforum\, her writing has also appeared in publications including Art in America\, Frieze\, Modern Painters\, and Art-Agenda. Grabner co-curated the 2014 Whitney Biennial at the Whitney Museum of American Art along with Anthony Elms and Stuart Comer\, and served as the inaugural artistic director of FRONT International\, a triennial exhibition in Cleveland\, Ohio\, and the vicinity that ran from July through September of 2018. She is also the founder and co-director of two non-profit art spaces in Wisconsin\, The Suburban and The Poor Farm\, with her husband\, artist Brad Killam. \nThis lecture is presented as part of the Spring 2023 Visiting Artist Lecture Series\, free and open to all. \n  \n Register for Zoom link
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-michelle-grabner/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/png:https://www.masongross.rutgers.edu/wp-content/uploads/2023/02/Screen-Shot-2023-02-22-at-10.29.46-AM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230301T190000
DTEND;TZID=America/New_York:20230301T210000
DTSTAMP:20260505T093540
CREATED:20230222T203051Z
LAST-MODIFIED:20230228T154039Z
UID:10002486-1677697200-1677704400@www.masongross.rutgers.edu
SUMMARY:Visiting Artist Lecture Series: Carmen Winant
DESCRIPTION:Carmen Winant is an artist and the Roy Lichtenstein Chair of Studio Art at the Ohio State University; her work utilizes installation and collage strategies to examine feminist modes of survival and revolt. Winant’s recent projects have been shown at the Museum of Modern Art\, Sculpture Center\, Wexner Center of the Arts\, the Cleveland Museum of Art\, ICA Boston\, The Museo Universitario Arte Contemporáneo\, and as part of the CONTACT Photography Festival\, which mounted twenty-six of her billboards across Canada. A forthcoming show will take place at Minneapolis Institute of Art in 2023. Winant’s recent artist’s books include My Birth (2018)\, Notes on Fundamental Joy (2019)\, Instructional Photography: Learning How To Live Now (2021); Arrangements and A Brand New End: Survival and Its Pictures (both 2022). Winant is a 2019 Guggenheim Fellow in photography\, a 2020 FCA Artist Honoree and a 2021 American Academy of Arts and Letters award recipient. She is a mother to her two sons\, Carlo and Rafa\, shared with her partner\, Luke Stettner. \nThis lecture is presented as part of the Spring 2023 Visiting Artist Lecture Series\, free and open to all. Captioning available. \n Register\n 
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-series-carmen-winant/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/png:https://www.masongross.rutgers.edu/wp-content/uploads/2023/02/My-project-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230227T173000
DTEND;TZID=America/New_York:20230227T173000
DTSTAMP:20260505T093540
CREATED:20230222T212558Z
LAST-MODIFIED:20230222T212637Z
UID:10002488-1677519000-1677519000@www.masongross.rutgers.edu
SUMMARY:Jeremy Dennis: So Spoke the Earth\, the Past\, and the Present
DESCRIPTION:Mason Gross Galleries is currently hosting the photography of Jeremy Dennis in tandem with our Co-Cureate exhibition\, inaugurating a new annual series of solo presentations celebrating the work of contemporary indigenous artists. Please join us for this special lecture marking the closing celebration of the exhibition\, on view now through February 27\, 2023. \nJeremy Dennis is a contemporary artist and tribal member of the Shinnecock Nation in Southampton\, NY\, whose artistic practice critically explores themes of indigenous identity\, culture\, and the violence of assimilation primarily through the medium of photography. \n Register for Zoom link\n 
URL:https://www.masongross.rutgers.edu/calendar-event/jeremy-dennis-so-spoke-the-earth-the-past-and-the-present/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/jpeg:https://www.masongross.rutgers.edu/wp-content/uploads/2023/02/Jeremy-Dennis-The-Oath.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230223T190000
DTEND;TZID=America/New_York:20230223T210000
DTSTAMP:20260505T093540
CREATED:20230222T203623Z
LAST-MODIFIED:20230223T180532Z
UID:10002487-1677178800-1677186000@www.masongross.rutgers.edu
SUMMARY:Visiting Artist Lecture Series: Chie Fueki
DESCRIPTION:Visually striking and intricate\, Fueki’s paintings picture contemporary life in spectacular motion. Created through a complex system of painting\, drawing\,cutting\, and collaging onto wood panels\, her practice is centered around the depiction of figures\, symbols\, and abstract spaces using multi-layered ornamental surfaces and fields of color. Drawing on her experience as a Japanese-born artist growing up in Brazil and later practicing in the United States\, Fueki’s work embraces the visual language from these three distinct cultures. As Fueki explains: “I consider myself a mixed-language painter with interest in eastern and western perspectival systems\, architectural graphics\, pop animation\, pre-Renaissance European painting\, and exuberant color.” \nChie Fueki (b. 1973) lives and works in Beacon\, NY. Fueki was born in Yokohama\, Japan\, and raised in São Paulo\, Brazil. She earned her MFA at Yale University and her BFA at The Ringling College of Art and Design. She is an inaugural recipient of the 2021 Joan Mitchell Fellowship and a recipient of the John Simon Guggenheim Memorial Foundation Fellowship (2022)\, and the Purchase Prize (2021\, 2004)\, and Rosenthal Family Foundation Award (2004) from the American Academy of Arts and Letters. Recent solo exhibitions include: DC Moore Gallery\, NY\, NY (2022); Shoshana Wayne Gallery\, Los Angeles\, CA (2005\, 2008\, 2013\, 2022); Mother Gallery\, Beacon\, NY (2020)\, Mary Boone Gallery\, New York\, NY (2006\, 2011); Bill Maynes Gallery\, New York\, NY (2002\, 2003); Orlando Museum of Art\, FL (2014). \nHer work was recently included in group exhibitions at Hirschl & Adler Galleries\, Inman Gallery\, Houston\, TX; Miles McEnery Gallery\, New York\, NY; Essex Flowers\, New York\, NY; The ReInstitue\, Millerton\, NY; Fredricks Freiser Gallery\, New York\, NY; Geoffrey Young Gallery in Great Barrington\, MA; Susan Inglett Gallery\, New York\, NY; Morgan Lehman Gallery\, New York\, NY; Jeff Bailey Gallery\, Hudson\, NY; LABspace\, Hillsdale\, NY; and Greater New York at PS1 Contemporary Art Center in Long Island City\, NY. She has public artwork at PS 92Q\, Queens\, NY\, and HHS Lerner Children Pavilion\, New York\, NY. Her work is included in permanent collections of the Modern Art Museum of Fort Worth\, TX; Orlando Museum of Art\, FL; San Jose Museum of Art\, CA; the Hirshhorn Museum\, Washington\, D.C.; and the Pizzuti Collection at Columbus Museum of Art\, OH. \nThis lecture is presented as part of the Spring 2023 Visiting Artist Lecture Series\, free and open to all. \n Register
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-series-chie-fueki/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/jpeg:https://www.masongross.rutgers.edu/wp-content/uploads/2023/02/4_finally_Bridget-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221130T190000
DTEND;TZID=America/New_York:20221130T210000
DTSTAMP:20260505T093540
CREATED:20220926T205433Z
LAST-MODIFIED:20221108T143654Z
UID:10002401-1669834800-1669842000@www.masongross.rutgers.edu
SUMMARY:Visiting Artist Lecture: Constantina Zavitsanos
DESCRIPTION:Image courtesy of the artist \nThis virtual lecture is presented as part of the Fall 2022 Visiting Artist Lecture Series and is free and open to all. Registration is required for virtual lectures\, and captioning provided.  ASL/CART available on request. Please contact Cassandra at coliveras@mgsa.rutgers.edu at least one week prior to event. \nConstantina Zavitsanos works in sculpture\, performance\, text\, and sound to elaborate debt\, dependency\, and means beyond measure. Zavitsanos has exhibited at the New Museum\, Brooklyn Museum\, Artists Space\, The Kitchen\, and Participant Inc (New York)\, at Arika (Glasgow)\, and HKW (Berlin). With Park McArthur\, they wrote “Other Forms of Conviviality” in Women & Performance (Routledge)\, and “The Guild of the Brave Poor Things” in Trap Door: Trans Cultural Production and the Politics of Visibility (MIT Press). Zavitsanos is a Foundation for Contemporary Art’s Roy Lichtenstein Awardee (2021) and a 2022 Keith Haring Fellow in Art & Activism at CCS/Bard College. They live in New York and teach at the New School. \n Register
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-constantina-zavitsanos/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/jpeg:https://www.masongross.rutgers.edu/wp-content/uploads/2022/09/Zavitsanos_Visa-Dove-Pan.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221116T190000
DTEND;TZID=America/New_York:20221116T210000
DTSTAMP:20260505T093540
CREATED:20220128T163337Z
LAST-MODIFIED:20221116T150559Z
UID:10002329-1668625200-1668632400@www.masongross.rutgers.edu
SUMMARY:Visiting Artist Lecture: Rindon Johnson
DESCRIPTION:Image courtesy of the artist \nNote: This lecture will now be held virtually. \nThis lecture is presented as part of the Fall 2022 Visiting Artist Lecture Series and is free and open to all. Registration is required for virtual lectures\, and captioning provided.  ASL/CART available on request. Please contact Cassandra at coliveras@mgsa.rutgers.edu at least one week prior to event. \nRindon Johnson is an artist and poet. Johnson has presented solo exhibitions at The Albertinum (Dresden)\, Chisenhale Gallery (London)\, The Julia Stoschek Collection (Düsseldorf) and the SculptureCenter (Long Island City)\, among others. He is the author of Nobody Sleeps Better Than White People (Inpatient\, 2016)\, the VR book\, Meet in the Corner (Publishing-House.Me\, 2017)\, Shade the King (Capricious\, 2017)\, The Law of Large Numbers: Black Sonic Abyss (Chisenhale\, Inpatient\, SculptureCenter 2021) and most recently Ever Given (Inpatient and Francois Ghebaly\, 2022). He was born on the unceded territories of the Ohlone people. He lives in Berlin. \n  \n Register
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-rindon-johnson/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/png:https://www.masongross.rutgers.edu/wp-content/uploads/2022/01/Rindon-Johnson-event.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221114T190000
DTEND;TZID=America/New_York:20221114T210000
DTSTAMP:20260505T093540
CREATED:20220926T204358Z
LAST-MODIFIED:20221108T143401Z
UID:10002399-1668452400-1668459600@www.masongross.rutgers.edu
SUMMARY:Visiting Artist Lecture: Guadalupe Rosales
DESCRIPTION:Image courtesy of the artist \nPlease note the new date for this event. \nThis virtual lecture is presented as part of the Fall 2022 Visiting Artist Lecture Series and is free and open to all. Registration is required for virtual lectures\, and captioning provided.  ASL/CART available on request. Please contact Cassandra at coliveras@mgsa.rutgers.edu at least one week prior to event. \nGuadalupe Rosales (b.1980\, Los Angeles; lives and works in Los Angeles) is a multidisciplinary artist and educator best  known for her community generated archival projects\, “Veteranas and  Rucas” and “Map Pointz\,” found on social media. Rosales received an MFA from the School of the Art Institute of Chicago in 2016. Recent solo  exhibitions have been held at Commonwealth and Council\, Los Angeles (2021); Dallas Museum of Art (2021); Museo Universitario del Chopo\,  Mexico City (2020); Gordon Parks Foundation\, NY (2019); and Aperture  Foundation\, NY (2018). Rosales has participated in group exhibitions at  Whitney Museum of American Art\, NY (2022); Haus der Kunst\, Munich  (2021); The Kitchen\, NY (2019); and Bemis Center for Contemporary Art\,  Omaha (2017). Rosales is the recipient of the United States Artists  Fellowship (2020)\, Gordon Parks Foundation Fellowship (2019)\, and  Foundation for Contemporary Arts Emergency Grant (2019)\, and has been in  residence at Denniston Hill\, NY; PAOS/Museo Taller Jose Clemente\,  Guadalajara (2020); Main Museum\, Los Angeles (2018); and Los Angeles  County Museum of Art (2017). \nRosales’ work is on view in Whitney Biennial 2022: Quiet As It’s Kept until October 6\, 2022. \nHer forthcoming book will be released next year with One World\, Penguin Random House Publishing. \nRosales’s work has been featured by The New Yorker\, Los Angeles Times\, New York Times\, ArtNews\, Artsy\, and Artforum\, Univision and NPR. \n  \n Register
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-guadalupe-rosales/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/jpeg:https://www.masongross.rutgers.edu/wp-content/uploads/2022/09/Guadalupe-Rosales-photo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221102T190000
DTEND;TZID=America/New_York:20221102T210000
DTSTAMP:20260505T093540
CREATED:20220926T204614Z
LAST-MODIFIED:20220926T205153Z
UID:10002400-1667415600-1667422800@www.masongross.rutgers.edu
SUMMARY:Visiting Artist Lecture: Jason Hirata
DESCRIPTION:Image courtesy of the artist \nThis virtual lecture is presented as part of the Fall 2022 Visiting Artist Lecture Series\, free and open to all. Registration is required. Live captioning is available. \nJason Hirata was born in Seattle\, Washington in 1986. His work examines forms of recognition in spaces of alienated labor and argues that if we think of contingency\, heteronomy\, and affectability not as a mere condition of the artist\, but as fundamental to the materiality of art\, then it is necessary to think about these conditions as constitutive support. He has exhibited at Fanta MLN\, Milan;Kunstverein Nürnberg; Artists Space; Svetlana\, New York; 80WSE at NYU; Theta\, New York; and Ulrik\, New York. \n  \n Register
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-jason-hirata/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/png:https://www.masongross.rutgers.edu/wp-content/uploads/2022/09/Jason-Hirata-event-photo.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220928T190000
DTEND;TZID=America/New_York:20220928T210000
DTSTAMP:20260505T093540
CREATED:20220926T204159Z
LAST-MODIFIED:20220926T204942Z
UID:10002398-1664391600-1664398800@www.masongross.rutgers.edu
SUMMARY:Visiting Artist Lecture: Jacqueline Kiyomi Gork
DESCRIPTION:Image courtesy of the artist \nThis virtual lecture is presented as part of the Fall 2022 Visiting Artist Lecture Series\, free and open to all. Registration is required. Live captioning is available. \nJacqueline Kiyomi Gork has been working with the intersection of sound\, sculpture and performance since 2002. She studied sound art\, photography and new genres at the San Francisco Art Institute and researched the history of communication technologies\, acoustics and computer music at Stanford University. \nKiyomi Gork has exhibited at Empty Gallery in Hong Kong\, GES-VAC in Moscow\, SFMOMA\, The Lab and Queens Nails Projects in San Francisco\, 356 Mission Rd\, Machine Project and the Hammer Museum in Los Angeles. She has participated residencies at Skowhegan\, EMPAC\, Mills Collage and Schloss Solitude in addition to receiving multiple grants from the San Francisco Arts Commission\, Center for Cultural Innovation and Joan Mitchell Foundation. \nPerformances have included multiple collaborations with Laetitia Sonami\, the collective 0th and solo projects. \n  \n Register
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-jacqueline-kiyomi-gork/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/jpeg:https://www.masongross.rutgers.edu/wp-content/uploads/2022/09/Jacqueline-Kiyomi-Gork-photo.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220502T190000
DTEND;TZID=America/New_York:20220502T210000
DTSTAMP:20260505T093540
CREATED:20220127T161404Z
LAST-MODIFIED:20220216T135901Z
UID:10002321-1651518000-1651525200@www.masongross.rutgers.edu
SUMMARY:Visiting Artist Lecture: Julie Tolentino
DESCRIPTION:Image courtesy of the artist \nThis virtual lecture is presented as part of the spring 2022 Visiting Artist Lecture Series\, free and open to all. Registration is required.\nLive captioning is available. \nJulie Tolentino (she/they interchangeably) is a Filipina Salvadorean artist whose practice explores durational performance\, movement\, and sensual practices within installation environments as a way to explore the interstitial spaces of relationality\, memory\, race\, gender\, and the archive. Tolentino’s work extends into video\, object- and scent-making\, soundscapes\, and texts drawn from the rich learning spaces of activism\, advocacy\, loss\, and caregiving.  Current research includes exhibition and performance collaboration with Stosh Fila and features a collective project with Ivy Kwan Arce that will debut at the Whitney Biennial in Spring 2022. \nUpcomings include a book project with Nia Nottage/Steph Christ and continued work with sound artist\, Robert Takahashi Crouch.   Recent exhibitions\, performances\, writing\, and commissions include home/LA (2022)\, FCA Annual Report Essay (2022); Aspen Art Museum (2020); Performance Space New York (2019); Commonwealth & Council\, Los Angeles (2013\, 2019) the New Museum (2013); Performa\, New York (2005\, 2013); and the 6th Thessolaniki Biennial (2017). \nTolentino recently received an Anonymous Was A Woman Award in 2022;  a Herb Alpert/UCROSS Fellowship in 2021; a Herb Alpert/MacDowell Fellowship and a Queer Art Sustained Achievement Award in 2020; and the Foundation for Contemporary Arts – Performance Award in 2019. She has additionally received funding from the Art Matters Foundation  (2010\, 2016). Tolentino recently received her MFA as a Dean’s DistinguishedFellow of Experimental Choreography at the University of California at Riverside. www.julietolentino.com \n  \n Register
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-julie-tolentino/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/png:https://www.masongross.rutgers.edu/wp-content/uploads/2022/01/Julie-Tolentino-event.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220413T190000
DTEND;TZID=America/New_York:20220413T210000
DTSTAMP:20260505T093540
CREATED:20220128T164324Z
LAST-MODIFIED:20220216T140619Z
UID:10002330-1649876400-1649883600@www.masongross.rutgers.edu
SUMMARY:Visiting Artist Lecture: Barbara Browning
DESCRIPTION:Image courtesy of the artist \nThis virtual lecture is presented as part of the spring 2022 Visiting Artist Lecture Series\, free and open to all. Registration is required. Live captioning is available. \nBarbara Browning teaches in the Department of Performance Studies at NYU’s Tisch School of the Arts. She is the author of the fictocritical novels The Correspondence Artist\, I’m Trying to Reach You\, and The Gift (or\, Techniques of the Body\, as well as several academic books. She also makes dances\, videos\, and ukulele covers. \n  \n Register
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-barbara-browning/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/png:https://www.masongross.rutgers.edu/wp-content/uploads/2022/01/Barbara-Browning-event.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220406T121000
DTEND;TZID=America/New_York:20220406T133000
DTSTAMP:20260505T093540
CREATED:20220303T171621Z
LAST-MODIFIED:20220308T175532Z
UID:10001887-1649247000-1649251800@www.masongross.rutgers.edu
SUMMARY:"Dancing Transnational Feminisms" Book Celebration 
DESCRIPTION:A celebration of Dancing Transnational Feminisms\, with keynote addresses provided by Brenda Dixon-Gottschild and Thomas F. DeFrantz\, and panel discussion lead by Alessandra Williams\, Ananya Chatterjea\, and Hui Niu Wilcox. \nAbout the Book\n\nPublished January 2022 by University of Washington Press and drawing from more than fifteen years of collaborative dance-making and sustained dialogues based on deep alliances across communities of color\, “Dancing Transnational Feminisms“ offers a multigenre exploration of how dance can be intersectionally reimagined as practice\, methodology\, and metaphor for feminist solidarity. Blending essays with stories\, interviews\, and poems\, this collection explores timely questions surrounding race and performance\, gender and sexuality\, art and politics\, global and local inequities\, and the responsibilities of artists toward their communities. \n\nPanel Guests\n\nKeynote Speaker: Brenda Dixon-Gottschild\, Professor Emerita of dance studies\, Temple University\nKeynote Speaker: Thomas F. DeFrantz\, Research Professor in the Department of African and African American Studies\, Duke University\nCo-Author: Ananya Chatterjea\, Professor of Dance at the University of Minnesota\, Artistic Director of Ananya Dance Theatre\nCo-Author: Hui Niu Wilcox\, Professor of Sociology\, Women’s Studies\, and Critical Studies of Race/Ethnicity at St. Catherine University\nCo-Author: Alessandra Williams\, Assistant Professor of Dance\, Rutgers University\, Mason Gross School of the Arts\n\nAnanya Chatterjea is artistic director of Ananya Dance Theatre\, Professor of Dance at the University of Minnesota\, and author of her second book\, Heat and Alterity in Contemporary Dance. \n\nHui Niu Wilcox\, Ph.D. is Professor of Sociology\, Women’s Studies\, and Critical Studies of Race/Ethnicity at St. Catherine University\, and was a dance artist with Ananya Dance Theatre from 2004-2020. Her research has been focused on sociology of dance especially in connection to immigrant identities\, race/ethnicity\, multiculturalism\, and transnational feminisms. \n\nAlessandra Williams is an assistant professor of dance at Rutgers University-New Brunswick who researches dance\, transnational feminism and queer performance\, and African American and Asian American culture. Her fellowships include the Inclusive Excellence Fellowship (University of Wisconsin-Whitewater 2018–19)\, Eugene V. Cota-Robles Fellowship (University of California\, Los Angeles 2010–14)\, and the Mellon Mays Undergraduate Fellowship (Macalester College 2005–07). She has performed with the Ananya Dance Theatre company. Her current book project explores queer sexuality\, gender\, and race through dances and films by David Roussève/REALITY dance company. \n  \n Register
URL:https://www.masongross.rutgers.edu/calendar-event/dancing-transnational-feminisms-book-celebration/
LOCATION:Virtual Events
CATEGORIES:Dance
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220404T190000
DTEND;TZID=America/New_York:20220404T210000
DTSTAMP:20260505T093540
CREATED:20220128T154000Z
LAST-MODIFIED:20220317T153832Z
UID:10002328-1649098800-1649106000@www.masongross.rutgers.edu
SUMMARY:Visiting Artist Lecture: Park McArthur
DESCRIPTION:PARA-SITES\, 2018 Park McArthur with Paula Stuttman\n3 + I AP and online at https://www.moma.org/audio/playlist/55#tour-stop-807\ncourtesy the artist and Maxwell Graham / Essex Street \nThis virtual lecture is presented as part of the spring 2022 Visiting Artist Lecture Series\, free and open to all. Registration is required. \nASL and CART captioning will be provided. \nUnder the guidance and instruction of disability McArthur experiments with personal and social meanings of debility\, delay and dependency by making artwork across different media and formats. With Constantina Zavitsanos\, McArthur has published texts and exhibited collaborative work. In 2016 McArthur co-organized with Jennifer Burris a survey of Beverly Buchanan’s artistic practice that traveled from The Brooklyn Museum to The Spelman College Museum of Fine Art. McArthur has presented exhibitions at Kunsthalle Bern\, MoMA\, SFMOMA\, and Chisenhale Gallery and in 2019 joined The Department of Art & Design at Rutgers University as Tepper Family Endowed Chair. \n  \n Register
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-park-mcarthur/
LOCATION:Virtual Events
CATEGORIES:Art & Design
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220328T190000
DTEND;TZID=America/New_York:20220328T210000
DTSTAMP:20260505T093540
CREATED:20220128T141609Z
LAST-MODIFIED:20220216T140654Z
UID:10002327-1648494000-1648501200@www.masongross.rutgers.edu
SUMMARY:Visiting Artist Lecture: Diane Severin Nguyen
DESCRIPTION:Image courtesy of artist \nThis virtual lecture is presented as part of the spring 2022 Visiting Artist Lecture Series\, free and open to all. Registration is required. Live captioning is available. \nDiane Severin Nguyen (b. 1990\, Carson\, California) is an artist who works with photography\, video\, and installation. Nguyen earned an MFA from Bard College in 2020 and a BA from Virginia Commonwealth University in 2013. Recent solo and two-person exhibitions include IF REVOLUTION IS A SICKNESS\, Sculpture Center\, New York; Between Two Solitudes\, Stereo\, Warsaw\, 2021; Tyrant Star\, Carnegie Museum of Art\, Pittsburgh\, 2020; Reoccurring Afterlife\, Empty Gallery\, Hong Kong\, 2019; Minor twin worlds\, with Brandon Ndife\, Bureau\, New York\, 2019. Her 2019 video Tyrant Star has been screened at Yebisu Festival\, Tokyo\, 2020; IFFR Rotterdam\, Netherlands\, 2020; and the 57th New York Film Festival\, New York\, 2019. Recent select group exhibitions include Made in L.A. 2020: a version\, Hammer Museum and The Huntington\, Los Angeles\, 2020-2021; Bodies of Water: 13th Shanghai Biennale\, Power Station of Art\, Shanghai\, China\, 2021; and Metabolic Rift\, Berlin Atonal\, Berlin\, Germany. Her work is currently included in Greater New York\, MoMA PS1\, New York\, 2021. Forthcoming\, IF REVOLUTION IS A SICKNESS will be screened at Berlinale Film Festival\, 2022 and exhibited at the Renaissance Society\, Chicago\, in May 2022. \n  \n Register
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-diane-severin-nguyen/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/png:https://www.masongross.rutgers.edu/wp-content/uploads/2022/01/Diane-Severin-Nguyen-event.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220323T160000
DTEND;TZID=America/New_York:20220323T180000
DTSTAMP:20260505T093540
CREATED:20220301T150607Z
LAST-MODIFIED:20220301T150848Z
UID:10001885-1648051200-1648058400@www.masongross.rutgers.edu
SUMMARY:Artists Facing State Repression: A Virtual Panel Discussion
DESCRIPTION:This panel is comprised of artists from around the globe who have faced state repression first-hand as a consequence of political beliefs informing their artistic practices\, and those who seek to defend them. It is inspired by the Angela Davis: Seize the Time exhibition currently on view at the Zimmerli Art Museum. Presented by the Department of Art & Design at Mason Gross School of the Arts\, the Zimmerli Art Museum\, and Windows of Understanding. \nModerated by: Elvis Fuentes\, Dodge Lawrence Graduate Fellow at the Zimmerli Art Museum \n  \n Register\nFeaturing\n© Filippo AlferoPAV – Parco Arte Vivente\, inaugurazione mostra “The God Trick” e convegno internazionaleTorino\, 04/05/2018 \nSteve Kurtz\nSteve Kurtz (Professor Emeritus) is a founding member of Critical Art Ensemble. CAE is an award-winning collective of artists of various specializations—including digital imaging and web design\, wetware\, film/video\, photography\, text art\, book art\, installation\, and performance—dedicated to exploring the intersections between art\, technology\, political activism\, and critical theory. For more than three decades CAE has produced and exhibited art around the world that examines questions surrounding information and communication technology\, biotechnologies\, and ecological and environmental struggle. CAE has written eight books on cultural resistance\, the latest being Aesthetics\, Necropolitics\, and Environmental Struggle. Their writings appear in more than 20 languages. \n  \nPhotographer: Peter Rosemann \nHamlet Lavastida\nHamlet Lavastida artist (* 1983 in Havana/Cuba) is a political activist by way of his art. This provocative\, boundary-pushing artist thrives on highlighting the distinctly Cuban spirit of cultural resistance. His work arose from the need to create an objective criterion for certain hidden areas of the implementation\, administration and functioning of state political practices in Cuba. Central to Lavastida’s artistic practice is the appropriation of texts\, images and symbols\, as well as political speeches and ideological terminologies\, which he questions critically within the framework of his work. The relevant factor is their reinterpretation using the same or a similar format to that in which they were originally created revealing the absurdity of these historic brands and at the same time examines and demystifies the tools of propaganda. Issues such as cultural policy\, design\, public sphere\, archaeology and historiography are addressed from different media such as video\, collages\, performances\, public interventions and installations. Hamlet’s work has been exhibited widely\, including at the Artium Museum in Spain\, the Laznia Centre for Contemporary Art in Poland\, and the Kunstlerhaus Bethanien in Berlin\, Germany. \n  \nMarita Muukkonen and Ivor Stodolsky\, representing Artists at Risk\nARTISTS at RISK (AR) is a non-profit network institution at the intersection of human rights and the arts. AR is dedicated to mapping the field of persecuted art practitioners\, facilitating their safe passage from their countries of origin\, hosting them at AR-Residencies and curating related projects\, including the AR Pavilion.
URL:https://www.masongross.rutgers.edu/calendar-event/artists-facing-state-repression-a-virtual-panel-discussion/
LOCATION:Virtual Events
CATEGORIES:Art & Design
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220321T190000
DTEND;TZID=America/New_York:20220321T210000
DTSTAMP:20260505T093540
CREATED:20220128T135835Z
LAST-MODIFIED:20220216T140705Z
UID:10002326-1647889200-1647896400@www.masongross.rutgers.edu
SUMMARY:Visiting Artist Lecture: Neil Beloufa
DESCRIPTION:Portrait of Neil Beloufa by Polly Thomas \nThis virtual lecture is presented as part of the spring 2022 Visiting Artist Lecture Series\, free and open to all. Registration is required. Live captioning is available. \nNeïl Beloufa (b. 1985\, Paris) is one the most powerful voices of the generation of artists born in the 1980s. His artistic research focuses on contemporary society and on how it is represented and mediated by digital interaction\, often with the aim of exposing the control mechanisms. In his videos\, feature films\, sculptures\, and technologically complex installations\, Beloufa plays on the viewer’s sensory experience\, inviting them to reappraise their own beliefs and stereotypes. He addresses present-day issues that range from power relationships to digital surveillance\, to data collection and nationalistic ideologies\, to identity and a post-colonial understanding of the world. \nNeïl Beloufa’s work is strongly influenced by the world of the web\, by videogames\, by reality TV and political propaganda\, using the vocabulary of the information age to lift the lid on the value system of a society permeated with digital technology\, where everything\, from food choices to human relationships is established on the basis of an algorithm. \n Register
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-neil-beloufa/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/png:https://www.masongross.rutgers.edu/wp-content/uploads/2022/01/Neil-Beloufa-event.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220228T190000
DTEND;TZID=America/New_York:20220228T210000
DTSTAMP:20260505T093540
CREATED:20220127T173056Z
LAST-MODIFIED:20220216T140714Z
UID:10002325-1646074800-1646082000@www.masongross.rutgers.edu
SUMMARY:Visiting Artist Lecture: Lex Brown
DESCRIPTION:Image courtesy of the artist \nThis virtual lecture is presented as part of the spring 2022 Visiting Artist Lecture Series\, free and open to all. Registration is required. Live captioning is available. \nLex Brown is an artist who uses poetry and science-fiction to create an index for our psychological and emotional experiences as organic beings in a rapidly technologized world. She has performed and exhibited work at the New Museum\, the High Line\, the International Center of Photography\, Recess\, and The Kitchen in New York; REDCAT Theater and The Hammer Museum in Los Angeles; The Baltimore Museum of Art in Baltimore; and at the Munch Museum in Oslo\, Norway. Brown holds degrees from Yale University (MFA) and Princeton University (BA) and was a 2021 recipient of the USA Fellowship. She is the author of My Wet Hot Drone Summer\, a sci-fi erotic novella that takes on surveillance and social justice\, first edition published by Badlands Unlimited. Consciousness\, a survey of Brown’s work spanning the past 8 years\, is available from GenderFail. Brown teaches as a Media Fellow in Art\, Film\, & Visual Studies and Theater\, Dance\, & Media at Harvard University. She is also the host of the podcast 1-800-POWERS available on Spotify and Apple Podcasts. Brown is represented by Deli Gallery in Tribeca\, NYC. \n Register
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-lex-brown/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/png:https://www.masongross.rutgers.edu/wp-content/uploads/2022/01/Lex-Brown-event.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220221T190000
DTEND;TZID=America/New_York:20220221T210000
DTSTAMP:20260505T093540
CREATED:20220127T171834Z
LAST-MODIFIED:20220216T140721Z
UID:10002324-1645470000-1645477200@www.masongross.rutgers.edu
SUMMARY:Visiting Artist Lecture: P. Staff
DESCRIPTION:Image courtesy of the artist \nThis virtual lecture is presented as part of the spring 2022 Visiting Artist Lecture Series\, free and open to all. Registration is required. Live captioning is available. \nP. Staff is an artist based in Los Angeles\, USA and London\, UK. Through an interdisciplinary practice\, Staff’s work explores the ways in which history\, technology\, capitalism and the law have fundamentally transformed the social constitution of our bodies today\, with a particular focus on queer and trans embodiment. Their notable solo presentations include Serpentine Galleries\, UK (2019); MOCA\, USA (2017); and Chisenhale Gallery\, UK (2015). They have been part of a number of significant group shows such as The Body Electric\, Walker Art Center (2019); Made in LA\, Hammer Museum (2018); Trigger\, New Museum (2017); and the British Art Show 8\, touring venues (2016). In 2021\, their work was on view at Canal 47\, New York\, USA; 13th Shanghai Biennale\, China; and formed part of the inaugural programme of LUMA Arles\, France. Their work is represented by Commonwealth and Council Gallery\, Los Angeles. \n  \n Register
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-p-staff/
LOCATION:Virtual Events
CATEGORIES:Art & Design
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220209T180000
DTEND;TZID=America/New_York:20220209T210000
DTSTAMP:20260505T093540
CREATED:20211004T202858Z
LAST-MODIFIED:20220207T152526Z
UID:10002159-1644429600-1644440400@www.masongross.rutgers.edu
SUMMARY:CANCELED - Visiting Artist Lecture: Kyla Schuller
DESCRIPTION:Image courtesy of the artist \nThis lecture is presented as part of the spring 2022 Visiting Artist Lecture Series\, free and open to all. Registration is required for Zoom Access. \nKyla Schuller is Associate Professor and Undergraduate Director of Women’s\, Gender and Sexuality Studies at Rutgers University\, New Brunswick. She is the author of the academic monograph The Biopolitics of Feeling: Race\, Sex\, and Science in the Nineteenth Century (Duke University Press\, 2018) and the general audience book The Trouble with White Women: A Counterhistory of Feminism (Bold Type Books\, 2021). With Jules Gill-Peterson\, she co-edited a special issue of Social Text and with Greta LaFleur\, co-edited the American Quarterly volume Origins of Biopolitics in the Americas\, which was named Best Special Issue 2020 by the Council of Editors of Learned Journals. Schuller’s work has been featured in The Nation\, has been awarded fellowships from the American Council of Learned Societies and Stanford Humanities Center and has appeared in popular outlets such as The Los Angeles Review of Books\, The Rumpus\, and Avidly. She lectures regularly across North America and Europe.
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-kyla-schuller/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/png:https://www.masongross.rutgers.edu/wp-content/uploads/2021/10/Kyla-Schuller-event.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220202T190000
DTEND;TZID=America/New_York:20220202T210000
DTSTAMP:20260505T093540
CREATED:20220127T165832Z
LAST-MODIFIED:20220216T140740Z
UID:10002323-1643828400-1643835600@www.masongross.rutgers.edu
SUMMARY:Visiting Artist Lecture: Jonathan Berger
DESCRIPTION:Image courtesy of the artist \nThis virtual lecture is presented as part of the spring 2022 Visiting Artist Lecture Series\, free and open to all. Registration is required. Live captioning is available. \nJonathan Berger’s work centers around the practice of exhibition making\, encompassing a spectrum of activity concerned with a rigorous investigation of the many ways in which the exhibition site can be repurposed\, and the subsequent potential for that site to allow for an expansion and reconsideration of what art can be and how it can be made. While his projects vary significantly\, the exhibitions themselves are always the “work\,” with the discrete parts contributing to a greater whole. He maintains an interest in abstract and experimental forms of both archival work and non-fiction\, including embodied biography\, portraiture\, oral history\, and documentary\, as rendered through the creation of large-scale\, narrative-based exhibitions made from both constructed and found objects. \nMost recently he presented the exhibition An Introduction to Nameless Love\, which was co-commissioned by the Carpenter Center for Visual Arts at Harvard University and Participant Inc NYC\, and exhibited at each venue in 2019 and 2020 respectively. The exhibition was created over a six year period involving some 47 collaborators in its production. His current project\, The Store\, at the Aspen Art Museum\, exists as a hybrid environment that is at once a place of commerce\, exhibition\, and archive. \nBerger has also presented solo installations at the Busan Biennial\, South Korea; Vox Populi\, Philadelphia; Maccarone\, New York; Karma\, New York; Grimm-Rosenfeld Gallery\, New York; Frieze Projects\, London; Adams and Ollman\, Portland\, OR; and VEDA\, Florence\, Italy. His collaborative and curatorial projects have been presented at venues including Museum of Contemporary Art\, Los Angeles; The Hebbel Theater\, Berlin\, Germany; The Queens Museum of Art\, New York; and Performance Space 122\, New York\, among others. From 2013–2016\, Berger served as Director of 80WSE Gallery at NYU\, where he mounted a wide range of collaboratively produced major exhibition projects presenting the work of Ellen Cantor\, Bob Mizer\, Printed Matter\, James “Son Ford” Thomas\, Michael Stipe\, Vaginal Davis\, Susanne Sachsse\, and Xiu Xiu\, among others. He is a Clinical Associate Professor in the Department of Art and Art Professions at New York University\, and he lives and works in New York City and Glover\, VT. \n  \n Register
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-jonathan-berger/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/png:https://www.masongross.rutgers.edu/wp-content/uploads/2022/01/Jonathan-Berger-event.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220125T193000
DTEND;TZID=America/New_York:20220125T213000
DTSTAMP:20260505T093540
CREATED:20211208T155636Z
LAST-MODIFIED:20220124T175815Z
UID:10001748-1643139000-1643146200@www.masongross.rutgers.edu
SUMMARY:The Raritan Players presents "The Arts as Black Resistance in Eighteenth-Century London: The Music of Ignatius Sancho"
DESCRIPTION:Image credit: Francesco Bartolozzi\, engraving of Ignatius Sancho after a portrait by Thomas Gainsborough (1768). The engraving was later printed in the posthumous collection Letters of the Late Ignatius Sancho\, an African. \nA concert on period instruments\, with commentary\, on Ignatius Sancho (1729-1780)\, known as the first Black person to publish original music compositions\, and who used his work as a tool to resist enslavement and racism. With soprano Sonya Headlam (DMA ’21) and pianist Rebecca Cypess. Co-sponsored by Mason Gross School of the Arts and the Rutgers University Institute for the Study of Global Racial Justice. \nFree \n Learn More\n  \n View Live Stream\n  \n View the Event Program\n  \nThis event is offered in connection with The National Day of Racial Healing\, part of the W.K. Kellogg Foundation’s Truth\, Racial\, Healing & Transformation efforts\, and is supported by the Creating Change Network in partnership with the Truth\, Racial Healing\, and Transformation Center at Rutgers University – Newark. The Creating Change Network is a program hosted by New Jersey Theatre Alliance and ArtPride New Jersey that aims to build a more equitable\, just\, and anti-racist arts community. The activities of the Creating Change Network are made possible by the generous support of the Grunin Foundation.
URL:https://www.masongross.rutgers.edu/calendar-event/raritan-players-arts-black-resistance/
LOCATION:Virtual Events
CATEGORIES:Music
ATTACH;FMTTYPE=image/png:https://www.masongross.rutgers.edu/wp-content/uploads/2021/12/Ignatius-Sancho-event.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211215T190000
DTEND;TZID=America/New_York:20211215T203000
DTSTAMP:20260505T093540
CREATED:20210928T145041Z
LAST-MODIFIED:20210928T145043Z
UID:10002127-1639594800-1639600200@www.masongross.rutgers.edu
SUMMARY:Visiting Artist Lecture: Alison O’Daniel
DESCRIPTION:Image courtesy of the artist \nThis lecture is presented as part of the fall 2021 Visiting Artist Lecture Series\, free and open to all. Registration is required for Zoom Access. \nAlison O’Daniel is a visual artist and filmmaker. She has screened and exhibited in galleries and museums internationally\, including the Hammer Museum\, Los Angeles; Garage Museum of Contemporary Art\, Moscow; Centre Pompidou\, Paris\, FR; Centro Centro\, Madrid\, Spain; Renaissance Society\, Chicago; Art in General\, New York; Centre d’art Contemporain Passerelle\, Brest\, France; Tallinn Art Hall\, Estonia; Bemis Center for Contemporary Arts\, Omaha; Shulamit Nazarian\, Los Angeles; Samuel Freeman Gallery\, Los Angeles. She lives and works in San Francisco and Los Angeles\, CA. \nO’Daniel’s film\, The Tuba Thieves (in production)\, is supported by Ford Foundation Just Films; Sundance; Creative Capital; Field of Vision; Chicken & Egg; SFFILM; IFP; Points North Institute\, Sheffield Doc Fest\, and others. She has received grants from the Louis Comfort Tiffany Foundation; Rema Hort Mann Foundation; Center for Cultural Innovation; and Franklin Furnace Fund. She was included in Filmmaker Magazine’s 2019 25 New Faces of Independent Film issue. She is represented by Commonwealth and Council in Los Angeles and is an Assistant Professor of Film at California College of the Arts in San Francisco. \n  \n Register
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-alison-odaniel/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/jpeg:https://www.masongross.rutgers.edu/wp-content/uploads/2021/09/Alison_ODaniel.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211208T190000
DTEND;TZID=America/New_York:20211208T203000
DTSTAMP:20260505T093540
CREATED:20210928T144801Z
LAST-MODIFIED:20211206T171737Z
UID:10002125-1638990000-1638995400@www.masongross.rutgers.edu
SUMMARY:Visiting Artist Lecture: Kameelah Janan Rasheed
DESCRIPTION:Image courtesy of the artist \nThis lecture is presented as part of the fall 2021 Visiting Artist Lecture Series\, free and open to all. Registration is required for Zoom Access. \nKameelah Janan Rasheed (b. 1985\, East Palo Alto\, CA; lives and works in Brooklyn\, NY) is a learner grappling with the poetics\, politics\, and pleasures of the unfinished. With the page\, the wall\, the computer screen\, and public space as her compositional fields\, she creates associative arrangements of letters\, words\, and shapes that invite an embodied and iterative reading process. Rasheed is invested in Black storytelling technologies that ask us to consider ways of [un]learning that are interdisciplinary\, interspecies\, and interstellar. Rasheed’s work has been exhibited internationally and nationally. She is the author of two artist’s books\, An Alphabetical Accumulation of Approximate Observations (Endless Editions\, 2019) and No New Theories (Printed Matter\, 2019). She is a 2021 Guggenheim Fellow in Fine Arts. Rasheed is the founder of Mapping the Spirit as well as the owner and founder of Orange Tangent Study. \n  \n Register
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-kameelah-janan-rasheed/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/jpeg:https://www.masongross.rutgers.edu/wp-content/uploads/2021/09/Kameelah-Rasheed.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211201T190000
DTEND;TZID=America/New_York:20211201T203000
DTSTAMP:20260505T093540
CREATED:20210928T144441Z
LAST-MODIFIED:20210928T144448Z
UID:10002124-1638385200-1638390600@www.masongross.rutgers.edu
SUMMARY:Visiting Artist Lecture: Mindy Seu
DESCRIPTION:Image courtesy of the artist \nThis lecture is presented as part of the fall 2021 Visiting Artist Lecture Series\, free and open to all. Registration is required. \nMindy Seu is a designer and researcher. She holds an M.Des from Harvard’s Graduate School of Design and a B.A. in Design Media Arts from University of California\, Los Angeles. As a fellow at the Harvard Law School’s Berkman Klein Center for the Internet & Society\, she began the digital Cyberfeminism Index\, which was later commissioned by Rhizome and presented at the New Museum. The printed publication Cyberfeminism Catalog is a 2021 recipient of the Graham Foundation Grant and will be published in Fall 2022. Seu has been a fellow at the Internet Archive\, as well as a designer for 2×4’s Interactive Media team and the Museum of Modern Art’s in-house design studio. She has given lectures and workshops at Barbican Center\, CalArts\, Parsons\, Pratt\, RISD\, Berkeley Art Museum\, among others. Seu is currently an Assistant Professor at Rutgers Mason Gross School of the Arts and Critic at Yale School of Art. \n  \n Register
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-mindy-seu/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/png:https://www.masongross.rutgers.edu/wp-content/uploads/2021/09/Mindy-Seu-event.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211130T170000
DTEND;TZID=America/New_York:20211130T190000
DTSTAMP:20260505T093540
CREATED:20210924T194126Z
LAST-MODIFIED:20210924T194133Z
UID:10002114-1638291600-1638298800@www.masongross.rutgers.edu
SUMMARY:Design Lecture Series: Tega Brain
DESCRIPTION:Image courtesy of the artist \nThis lecture is presented as part of the fall 2021 Design Lecture Series\, free and open to all. Registration is required. \nTega Brain is an Australian-born artist and environmental engineer whose work examines issues of ecology\, data systems\, and infrastructure. She has created wireless networks that respond to natural phenomena\, systems for obfuscating fitness data\, and an online smell-based dating service. Her work has been shown widely including in the Vienna Biennale for Change and the Whitney Museum of American Art. Her first book\, Code as Creative Medium\, is co-authored with Golan Levin and published with MIT Press. \n  \n Register
URL:https://www.masongross.rutgers.edu/calendar-event/design-lecture-series-tega-brain/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/png:https://www.masongross.rutgers.edu/wp-content/uploads/2021/09/Tega-Brain-event.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211129T190000
DTEND;TZID=America/New_York:20211129T203000
DTSTAMP:20260505T093540
CREATED:20211020T164940Z
LAST-MODIFIED:20211129T185343Z
UID:10001733-1638212400-1638217800@www.masongross.rutgers.edu
SUMMARY:Canceled - Visiting Artist Lecture: Cassi Namoda
DESCRIPTION:This event has been canceled. \nImage courtesy of the artist \nCassi Namoda uses painting as an exercise in crossing cultural and historical references between her country of origin and the rest of the world. \nUsing colors of intensities that range from the subtle to the acidic\, applied in raw and expressive brushstrokes\, the artist explores and cross-pollinates religious symbols with literary characters and real people\, forging complex narratives. Namoda studies the unlikely meeting points between antagonistic mythologies and gives new meaning to symbols through boldly constructed images. \nA signature aspect of her work is that it brings together a constellation of external references that the artist then mixes with very personal aspects of her world\, close to how a novelist constructs a story by amalgamating the personal with the universal. In this way\, Namoda’s works sometimes depict friends of hers and people she knows but in a different time or extraneous context. Furthermore\, Namoda’s figuration brings together earthly scenes with oftentimes complex theological contexts\, and her work can bring together the most sacred and symbolic images with the most popular and contemporary. This freedom is one of the central aspects of her painting\, which questions the geographic and temporal limits of stories told but not usually painted.
URL:https://www.masongross.rutgers.edu/calendar-event/visiting-artist-lecture-cassi-namoda/
LOCATION:Virtual Events
CATEGORIES:Art & Design
ATTACH;FMTTYPE=image/jpeg:https://www.masongross.rutgers.edu/wp-content/uploads/2021/10/IMG_1868.jpg
END:VEVENT
END:VCALENDAR